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Film - Digital

Panoromic Cameras

Panoramic cameras use various sizes of film and expose an area with an aspect ration of 2.5:1 or more rather than the familiar 1.5:1. There are two main types, those simply using a wide-angle lens, such as the Hasselblad X-Pan, and those in which the lens rotates to project an image on a cylindrically curved film, such as the Noblex, widelux and Horizon. These have a wider-angle lens than most film cameras but project the image back onto a film through a thin vertical slit, which rotates across the film plane as the shutter rotates across the scene. With slow shutter speeds you can capture yourself in the frame at the beginning of the exposure and run around the back of the camera to get in the frame on the other side of the frame before the camera has finished making the exposure.

Some 35mm compact cameras can shoot in panoramic format simply by masking off the top and bottom of the normal frame; you can achieve the same effect (with more flexibility) by cropping a normal image. In these cameras the length of the frame is the same as a normal 35mm format but to the width is reduced, giving an elongated frame and the perception of a panoramic image. Some compact film cameras have this as a facility that can be switched on or off: here the frame format is altered when the pan switch is in place. But like any camera, the larger the physical size of the recording medium, the more information that can be recorded, so a 35mm format pan camera cannot compete with a camera like the Noblex.
There are no true panoramic digital cameras available (except for some very expensive and rather bulky equipment.) but some compact cameras have a panoramic mode which makes it easier to take images to be stitched together later. This approach is not useful for panoramas involving moving subjects.
There are other types of panoramic camera, including those in which the film moves past a slit shutter as the camera rotates. Some complex and expensive digital cameras similar to this have been built.
Some digital cameras have the facility where they allow many images to be taken and then they automatically stitch the images together in a special software package. If you are using a camera that does not have this facility and want to stitch the images together in photoshop, be careful there are no aspects of the subject too close to the camera or you can end up with a perspective distortion which will be impossible to join.

A good site to look at is http://www.bigshotz.co.nz/ - go to cameras.

 

 

 

PANORAMIC CAMERAS

There are two basic types of panoramic cameras, the conventional camera with wide angle lens and the scanning camera. Conventional cameras are limited to a 100 degree view which is what a 18mm lens on a 35mm camera gives. Scanning cameras either have a swing lens which gives up to 140 degrees view or a rotating body/fixed lens which can photograph more than a 360 degree view.



 

CONVENTIONAL CAMERAS WITH WIDE ANGLE LENS


 

Hasselblad Xpan

Fuji 617

 

camera

film format

frame size (mm)

angle of viewº

Hasselblad Xpan

35mm

24 x 65

94 (30mm lens)

fisheye lens

35mm

24 x 36

up to 180

Linhof, Fuji, Artpan 617

120

60 x 170

up to 100

This type of panoramic camera uses a cropped view to achieve the long skinny look of a panoramic image, this can be proven by using the same lens on a larger format, the view is exactly the same with more foreground and sky. Crop out the foreground and sky and you're back to the same image.

 

Fuji 617

This is the back open showing the extra long film gate, negative size is 60 x 170mm which gives 4 shots on a roll of 120 film. Angle of view is just over 80 degrees with 105mm lens. If the lens was used on a 5x7 camera the centre part of the image would be identical to the 617 neg.



 

SCANNING CAMERAS


This type of camera is a true panoramic camera because it doesn't rely on cropping the image to get the panoramic look. Scanning cameras fall into two groups, either swing lens where the body is stationary and the lens swings in an arc or rotational where the lens is fixed and the whole camera rotates.

The exposure principle is the same for both, the view is exposed onto film through a narrow slit and a continuous image is built up as the slit is moved across the film. This technology was first used by Friedrich von Martens in 1844.


 

Von Martens camera was the first to use a swing lens and curved film plate. Hand crank (a) turned gear (b) which swiveled lens (c) slit (d) projects the image onto film (e)



 

SWING LENS CAMERAS


 

Horizon 202

Noblex pro 150

 

camera

film format

frame size (mm)

angle of viewº

Widelux F6/7/8

35mm

24 x 59

130

Horizon 202

35mm

24 x 58

120

Noblex 135

35mm

24 x 66

127

Widelux 1500

120

50 x 122

140

Horizon 205pc

120

52 x 122

140

Noblex pro150

120

50 x 120

132

These modern swing lens cameras are direct decendants of Von Martens camera and operate on the same principle but use either electric or spring motors to drive the swing mechanism.



 

ROTATING CAMERAS

 

Cirkut camera by Colin Bullard


Rotating cameras can photograph up to 360 degrees, in fact they can photograph more by doing multiple rotations, the only limit is the length of film in the camera. The lens is fixed and the whole body of the camera rotates about it's own axis. The film is driven past the exposure slit in synchronisation with camera rotation, this effectively records a static scene on moving film. The best known rotating camera and considered the greatest panoramic camera ever is the Kodak Cirkut camera. More info on the Cirkut can be found here. Cirkut Camera Page

 

 

Inside a rotating scanning camera.

(a) film spool (b) exposure slit (c) drive capstan and(d) take up (spool not shown).

Film feeds from (a) across (b) where exposure takes place, (c) is driving continuously pulling film across (b), (d) is winding exposed film onto an empty spool.
All this happens as the camera rotates and camera rotation is sychronised with the rotation speed of (c).

 

Today the Seitz Roundshot cameras are the most advanced and versatile rotating panoramic cameras. The 220VR is capable of taking panoramic, linear and peripheral images with the use of accessories designed for this purpose.

 


 

Roundshot cameras

left,65/5 inch, 65mm lens/5 inch film
centre, 35/35s, 35mm lens/35mm film
right, 65/70, 65mm lens/220 & 70mm film

 

internals of Roundshot 65EL

camera

film format

frame size (mm)

angle of viewº

Roundshot 65/70

120

54 x 412+

360+

Scantech Voyageur 50

120

54 x 312+

360+

Hulcherama

120

54 x 225+

360+

Cirkut #6

6 1/2 inch

160 x 1200+

360+



 

Resources

Here are links to information pages on this site

Cirkut Camera Page

Cirkut FAQ's

Online Cirkut gear program

Download Bob Langs updated gear program (82k),C++ translation by Bruce Christie

Horizon 202 English Manual

Large Format Lens Cover Table

Schneider and Rodenstock Serial Numbers

 

 

Want to learn more? - do a workshop or one on one with Lloyd Godman