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Sequence viewing > Index - Cameras - lenses - optics - Resource - ©
Lloyd Godman
Film - Digital
Panoromic
Cameras
Panoramic cameras use various sizes of film and
expose an area with an aspect ration of 2.5:1 or more
rather than the familiar 1.5:1. There are two main
types, those simply using a wide-angle lens, such
as the Hasselblad X-Pan, and those in which the lens
rotates to project an image on a cylindrically curved
film, such as the Noblex, widelux and Horizon. These
have a wider-angle lens than most film cameras but
project the image back onto a film through a thin
vertical slit, which rotates across the film plane
as the shutter rotates across the scene. With slow
shutter speeds you can capture yourself in the frame
at the beginning of the exposure and run around the
back of the camera to get in the frame on the other
side of the frame before the camera has finished making
the exposure.
Some 35mm compact cameras can shoot in panoramic
format simply by masking off the top and bottom of
the normal frame; you can achieve the same effect
(with more flexibility) by cropping a normal image.
In these cameras the length of the frame is the same
as a normal 35mm format but to the width is reduced,
giving an elongated frame and the perception of a
panoramic image. Some compact film cameras have this
as a facility that can be switched on or off: here
the frame format is altered when the pan switch is
in place. But like any camera, the larger the physical
size of the recording medium, the more information
that can be recorded, so a 35mm format pan camera
cannot compete with a camera like the Noblex.
There are no true panoramic digital cameras available
(except for some very expensive and rather bulky equipment.)
but some compact cameras have a panoramic mode which
makes it easier to take images to be stitched together
later. This approach is not useful for panoramas involving
moving subjects.
There are other types of panoramic camera, including
those in which the film moves past a slit shutter
as the camera rotates. Some complex and expensive
digital cameras similar to this have been built.
Some digital cameras have the facility where they
allow many images to be taken and then they automatically
stitch the images together in a special software package.
If you are using a camera that does not have this
facility and want to stitch the images together in
photoshop, be careful there are no aspects of the
subject too close to the camera or you can end up
with a perspective distortion which will be impossible
to join.
A good site to look at is http://www.bigshotz.co.nz/
- go to cameras.
PANORAMIC CAMERAS
There are two basic types of panoramic cameras, the conventional
camera with wide angle lens and the scanning camera. Conventional cameras
are limited to a 100 degree view which is what a 18mm lens on a 35mm camera
gives. Scanning cameras either have a swing lens which gives up to 140
degrees view or a rotating body/fixed lens which can photograph more
than a 360 degree view.
CONVENTIONAL CAMERAS WITH WIDE ANGLE LENS
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Hasselblad Xpan |
Fuji 617 |
camera |
film format |
frame size (mm) |
angle of viewº |
Hasselblad Xpan |
35mm |
24 x 65 |
94 (30mm lens) |
fisheye lens |
35mm |
24 x 36 |
up to 180 |
Linhof, Fuji, Artpan 617 |
120 |
60 x 170 |
up to 100 |
This type of panoramic camera uses a cropped view to achieve
the long skinny look of a panoramic image, this can be proven by using
the same lens on a larger format, the view is exactly the same with more
foreground and sky. Crop out the foreground and sky and you're back to
the same image.
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Fuji 617
This is the back open showing the extra long film gate, negative
size is 60 x 170mm which gives 4 shots on a roll of 120 film.
Angle of view is just over 80 degrees with 105mm lens. If the
lens was used on a 5x7 camera the centre part of the image would
be identical to the 617 neg. |
SCANNING CAMERAS
This type of camera is a true panoramic camera because
it doesn't rely on cropping the image to get the panoramic look. Scanning
cameras fall into two groups, either swing lens where the body is stationary
and the lens swings in an arc or rotational where the lens is fixed and
the whole camera rotates.
The exposure principle is the same for both, the view is exposed
onto film through a narrow slit and a continuous image is built up as
the slit is moved across the film. This technology was first used by Friedrich
von Martens in 1844.
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Von Martens camera was the first to use a swing lens and
curved film plate. Hand crank (a) turned gear (b) which swiveled
lens (c) slit (d) projects the image onto film (e) |
SWING LENS CAMERAS
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Horizon 202 |
Noblex pro 150 |
camera |
film format |
frame size (mm) |
angle of viewº |
Widelux F6/7/8 |
35mm |
24 x 59 |
130 |
Horizon 202 |
35mm |
24 x 58 |
120 |
Noblex 135 |
35mm |
24 x 66 |
127 |
Widelux 1500 |
120 |
50 x 122 |
140 |
Horizon 205pc |
120 |
52 x 122 |
140 |
Noblex pro150 |
120 |
50 x 120 |
132 |
These modern swing lens cameras are direct decendants of Von
Martens camera and operate on the same principle but use either electric
or spring motors to drive the swing mechanism.
ROTATING CAMERAS
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Cirkut camera by Colin Bullard |
Rotating cameras can photograph up to 360 degrees, in
fact they can photograph more by doing multiple rotations, the only limit
is the length of film in the camera. The lens is fixed and the whole body
of the camera rotates about it's own axis. The film is driven past the
exposure slit in synchronisation with camera rotation, this effectively
records a static scene on moving film. The best known rotating camera
and considered the greatest panoramic camera ever is the Kodak Cirkut
camera. More info on the Cirkut can be found here. Cirkut
Camera Page
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Inside a rotating scanning camera.
(a) film spool (b) exposure slit (c) drive capstan and(d) take
up (spool not shown).
Film feeds from (a) across (b) where exposure takes place, (c)
is driving continuously pulling film across (b), (d) is winding
exposed film onto an empty spool.
All this happens as the camera rotates and camera rotation is
sychronised with the rotation speed of (c). |
Today the Seitz Roundshot cameras are the most advanced and
versatile rotating panoramic cameras. The 220VR is capable of taking panoramic,
linear and peripheral images with the use of accessories designed for
this purpose.
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Roundshot cameras
left,65/5 inch, 65mm lens/5 inch film
centre, 35/35s, 35mm lens/35mm film
right, 65/70, 65mm lens/220 & 70mm film |
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internals of Roundshot 65EL |
camera |
film format |
frame size (mm) |
angle of viewº |
Roundshot 65/70 |
120 |
54 x 412+ |
360+ |
Scantech Voyageur 50 |
120 |
54 x 312+ |
360+ |
Hulcherama |
120 |
54 x 225+ |
360+ |
Cirkut #6 |
6 1/2 inch |
160 x 1200+ |
360+ |
Resources
Here are links to information pages on this site
Cirkut Camera
Page
Cirkut
FAQ's
Online Cirkut
gear program
Download Bob
Langs updated gear program (82k),C++ translation by Bruce Christie
Horizon
202 English Manual
Large
Format Lens Cover Table
Schneider
and Rodenstock Serial Numbers
Want to learn more? - do a workshop or one on one with Lloyd Godman
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